2011-12: Kwame Kwei-Armah, Artistic Director
- The Second City Charmed and Dangerous In a world-premiere commission for CENTERSTAGE Created by The Second City Additional material created by Ed Furman and Tim Sniffen Additional Original Music Composed by Matthew Loren Cohen Directed by Matt Hovde
- The Rivals by Richard Brinsley Sheridan Directed by David Schweizer
- American Buffalo by David Mamet Directed by Liesl Tommy
- Gleam by Bonnie Lee Moss Rattner Based on the novel "Their Eyes Were Watching God" by Zora Neale Hurston Directed by Marion McClinton
- A Skull in Connemara By Martin McDonagh Directed by BJ Jones
- Into the Woods Music and Lyrics by Stephen Sondheim Book by James Lapine Directed by Mark Lamos A co-production with Westport Country Playhouse
- The Whipping Man By Matthew Lopez Directed by Kwame Kwei-Armah
- Play Lab Dance: Jawole Willa Jo Zollar and Liz Lerman
- Holiday Cabaret
- March Cabaret Madness: Songs of the 70s with International Singer-Songwriter Sahffi & Her Band, Flamenco with Ricardo Marlow and Guests
- E Faye Butler Cabaret: What A Difference A Diva Makes
2010-11: Irene Lewis, Artistic Director
- KT Sullivan Cabaret
- The Wiz Book by William F. Brown, Music and Lyrics by Charlie Smalls, Based on the story The Wonderful Wizard of Oz by L. Frank Baum, Directed by Irene Lewis
- Dunkler-Related Disorders Play Lab
- Euan Morton Cabaret
- ReEntry by Emily Ackerman & KJ Sanchez Directed by KJ Sanchez
- The Second City Does Baltimore A world-premiere commission, Created for CENTERSTAGE by The Second City, Additional material created by T.J. Shanoff and Megan Grano, Directed by Matt Hovde
- The Homecoming by Harold Pinter, Directed by Irene Lewis
- Charlotte Cohn Cabaret
- Snow Falling on Cedars Adapted by Kevin McKeon from the novel by David Guterson, Directed by David Schweizer
- A Walk in August Play Lab
- E Faye Butler Cabaret
- Crime & Punishment Adapted by Curt Columbus and Marilyn Campbell from the novel by Fyodor Dostoevsky, Directed by Jason Loewith
- Ken Roberson Cabaret
- Knife on Bone Play Lab
2009-10: Irene Lewis, Artistic Director
- The Importance of Being Earnest by Oscar Wilde, Directed by Irene Lewis
- Judy Kaye Cabaret
- Euan Morton Cabaret
- The Lookingglass Theatre's production of Around the World in 80 Days, Written and Directed by Laura Eason
- The Santaland Diaries by David Sedaris; adapted for the stage by Joe Mantello, Directed by Irene Lewis
- Cyrano, an original adaptation by Jo Roets, Directed by David Schweizer
- Let There Be Love by Kwame Kwei-Armah, Directed by Jeremy B. Cohen
- Ma Rainey's Black Bottom by August Wilson, Directed by Irene Lewis
- E. Faye Butler Cabaret
- Working It Out, Directed by Jason Loewith (Jerry and Tom by Rick Cleveland; Washed Up on the Potomac by Lynn Rosen;Hidden in this Picture by Aaron Sorkin)
- Concert Readings (after the quake by Haruki Murakami, translated by Jay Rubin, adapted by Frank Galati, Directed by Chay Yew; Benedictus by Motti Lerner, Seven Jewish Children: a Play for Gaza by Caryl Churchill, Only We Who Guard the Mystery Shall be Unhappy by Tony Kushner, Directed by Jason Loewith; East of Berlin by Hannah Moscovitch, Directed by Connie Grappo)
2008-09: Irene Lewis, Artistic Director
- The Matchmaker by Thornton Wilder, Directed by Irene Lewis
- Who’s Afraid of Virginia Woolf? by Edward Albee, Directed by Ethan McSweeny
- Caroline, or Change Book & Lyrics by Tony Kushner, Music by Jeanine Tesori, Directed by David Schweizer
- Fabulation or, The Re-education of Undine by Lynn Nottage, Directed by Jackson Gay
- ’Tis Pity She’s a Whore by John Ford, Directed by Irene Lewis
- Souvenir by Stephen Temperly, Directed by Vivian Matalon
- First Look: In10 New Play Festival, In conjunction with UMBC
- First Look: KILLADELPHIA by Sean Christopher Lewis, Directed by Matt Slaybaugh
- First Look: Sans-culottes in the Promised Land by Kirsten Greenidge
- First Look: The Cobbler by Bryan Delaney
2007-08: Irene Lewis, Artistic Director
- Arsenic & Old Lace by Joseph Kesselring, Directed by Irene Lewis
- Hearts by Willy Holtzman, Directed by Tim Vasen
- Joe Turner's Come and Gone by August Wilson, Directed by Derrick Sanders
- First Look: Breathe by Javon Johnson, Directed by Dwight R. B. Cook
- Now What?, Written & Performed by Josh Lefkowitz
- Rosencrantz & Guildenstern Are Dead by Tom Stoppard, Directed by Irene Lewis
- A Little Night Music by Stephen Sondheim (music and lyrics) and Hugh Wheeler (book), Directed by Mark Lamos
- From Tel Aviv to Ramallah: A Beatbox Journey, Written & Directed by Rachel Havrelock, Performed by Yuri Lane
- First Look: The North Pool by Rajiv Joseph, Directed by Gregg Henry
- First Look: Puddy Tat by Lynn Rosen, Directed by Erica Gould
- First Look: By the Way, Meet Vera Stark by Lynn Nottage, Directed by Irene Lewis
- These Shining Lives by Melanie Marnich, Directed by David Schweizer—WORLD PREMIERE
2006-07: Irene Lewis, Artistic Director
- The Three Sisters by Anton Chekhov, Translated by Paul Schmidt, Directed by Irene Lewis
- Death and the Maiden by Ariel Dorfman, Directed by Lillian Groag
- First Look: These Shining Lives by Melanie Marnich, Directed by Leigh Silverman
- The Boys from Syracuse by Richard Rodgers (music), Lorenz Hart (lyrics), and George Abbott (book), Directed by David Schweizer
- Help Wanted (A Personal Search for Meaningful Employment at the Start of the 21st Century), Written & Performed by Josh Lefkowitz
- Trouble in Mind by Alice Childress, Directed by Irene Lewis
- First Look: Voices Underwater by Abi Basch, Directed by Gavin Witt
- First Look: Wild Black-Eyed Susans by Kara Lee Corthron, Directed by Leah C. Gardiner
- First Look: Luna Park by Caridad Svich, Directed by Stephanie Gilman
- Ah, Wilderness! by Eugene O'Neill, Directed by Melia Bensussen
- Things of Dry Hours by Naomi Wallace, Directed by Kwame Kwei-Armah
- First Look: Knife on Bone by Jerome Hairston, Directed by Dwight R.B. Cook
2005-06: Irene Lewis, Artistic Director
- King Lear by William Shakespeare, Directed by Irene Lewis
- Hay Fever by Noël Coward, Directed by Will Frears
- Once on This Island by Lynn Ahrens & Stephen Flaherty, Directed & Choreographed by Kenneth Lee Roberson
- The Murder of Isaac by Motti Lerner, Translated by Anthony Berris, Directed by Irene Lewis—U.S. PREMIERE
- First Look: What I Heard About Iraq (a Cry for 5 Voices) by Simon Levy, Adapted from the article by Eliot Weinberger, Directed by Otis Ramsey-Zöe
- First Look: 1001 by Jason Grote, Directed by Gavin Witt
- August Wilson's Radio Golf, Directed by Kenny Leon
- First Look: Killing Women by Marisa Wegrzyn, Directed by Otis Ramsey-Zöe
- First Look: The 13 Hallucinations of Julio Rivera by Steven R. Culp, Directed by Gregg Henry
- Crumbs from the Table of Joy by Lynn Nottage, Directed by David Schweizer
2004–05: Irene Lewis, Artistic Director
- Lady Windermere's Fan by Oscar Wilde, Directed by Irene Lewis
- The Price by Arthur Miller, Directed by Will Frears
- Elmina's Kitchen by Kwame Kwei-Armah, Directed by Marion McClinton—U.S. PREMIERE
- Two Gentlemen of Verona by Galt MacDermot (music), John Guare (book/lyrics), and Mel Shapiro (book); Directed by Irene Lewis
- First Look: The Moonlight Room by Tristine Skyler, Directed by Madeleine Oldham
- First Look: Hazard County by Allison Moore, Directed by Gavin Witt
- Permanent Collection by Thomas Gibbons, Directed by David Schweizer
- First Look: Help Wanted (A Personal Search for Meaningful Employment at the Start of the 21st Century) Written & Performed by Josh Lefkowitz
- First Look: Americamisfit by Dan Dietz, Directed by Trip Cullman
- The Voysey Inheritance by Harley Granville Barker, Adapted by Gavin Witt, Directed by Irene Lewis—WORLD PREMIERE
- First Look: Something You Did by Willy Holtzman, Directed by Irene Lewis
2003-04: Irene Lewis, Artistic Director
- Misalliance, by George Bernard Shaw, Directed by Irene Lewis
- First Look: The Miser, by Molière, Translation and Adaptation by James Magruder, Directed by David Schweizer
- a.m. Sunday by Jerome Hairston, Directed by Marion McClinton
- First Look: Crippled Sisters, by Susan Nussbaum, Directed by Judy Dennis
- The Miser by Molière, Translation and Adaptation by James Magruder, Directed by David Schweizer—WORLD PREMIERE
- Sweeney Todd:The Demon Barber of Fleet Street, Music and Lyrics by Stephen Sondheim, Book by Hugh Wheeler, Directed by Irene Lewis
- First Look: Permanent Collection, by Thomas Gibbons, Directed by Irene Lewis
- Speed-The-Plow, by David Mamet, Directed by Daniel Fish
- Picnic, by William Inge, Directed by Irene Lewis
2002–03: Irene Lewis, Artistic Director
- Peter Pan by J.M. Barrie, Directed by Irene Lewis
- No Foreigners Beyond This Point by Warren Leight, Directed by Tim Vasen—WORLD PREMIERE
- First Look: The Murder of Isaac by Motti Lerner, Directed by Irene Lewis
- Ain't Misbehavin' by Thomas "Fats" Waller, Based on an idea by Murray Horwitz & Richard Maltby, Jr., Directed by Ken Roberson
- First Look: Till the Break of Dawn by Danny Hoch, Directed by Danny Hoch
- Intimate Apparel by Lynn Nottage, Directed by Kate Whoriskey—WORLD PREMIERE
- Mary Stuart by Friedrich Schiller, Translated by Robert David MacDonald, Directed by Irene Lewis
- The Rainmaker by N. Richard Nash, Directed by Tim Vasen
2001–02: Irene Lewis, Artistic Director
- The Pajama Game by George Abbott & Richard Bissell (book) and Richard Adler & Jerry Ross (music/lyrics), Directed by Irene Lewis
- A Raisin in the Sun by Lorraine Hansberry, Directed by Marion McClinton
- First Look: Intimate Apparel by Lynn Nottage, Directed by Marion McClinton
- Three Tall Women by Edward Albee, Directed by Tim Vasen
- First Look: No Foreigners Beyond This Point by Warren Leight, Directed by Tim Vasen
- The Winter's Tale by William Shakespeare, Directed by Irene Lewis
- First Look: Till the Break of Dawn by Danny Hoch, Directed by Danny Hoch
- First Look: Well by Lisa Kron, Directed by Leigh Silverman
- Blithe Spirit by Noël Coward, Directed by Tim Vasen
- The Foundry Theatre's Production of And God Created Great Whales by Rinde Eckert, Directed by David Schweizer
2000–01: Irene Lewis, Artistic Director
- She Stoops to Conquer by Oliver Goldsmith, Directed by Irene Lewis
- Fall by Bridget Carpenter, Directed by Lisa Peterson
- Short Plays by Thornton Wilder, Directed by Tim Vasen
- The Investigation by Peter Weiss, Directed by Irene Lewis
- Dinah Was by Oliver Goldstick, Directed by David Petrarca
- The Piano Lesson by August Wilson, Directed by Reggie Montgomery
- Off Center: Another American: Asking and Telling by Marc Wolf
- Off Center: Morning, Noon, and Night by Spalding Gray
- Off Center: The No Black Male Show by Carl Hancock Rux
1999-2000: Irene Lewis, Artistic Director
- An Ideal Husband by Oscar Wilde, Directed by Irene Lewis
- Griller by Eric Bogosian, Directed by David Warren
- for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange, Directed by George Faison
- The Hostage by Brendan Behan, Directed by Irene Lewis
- Macbeth by William Shakespeare, Directed by Tim Vasen
- The Gimmick by Dael Orlandersmith, Directed by Chris Coleman
- 2.5 Minute Ride by Lisa Kron, Directed by Mark Brokaw
- Off Center: Sharps, Flats & Accidentals by The Flying Karamazov Brothers
- Off Center: To the Top! Top! Top! by Hazelle Goodman
- Off Center: Spray by Mike Albo
1998-99: Irene Lewis, Artistic Director
- Travels with My Aunt by Graham Greene, Adapted by Giles Havergal, Directed by Tim Vasen
- As You Like It by William Shakespeare, Directed by Irene Lewis
- Jitney by August Wilson, Directed by Marion McClinton
- An Almost Holy Picture by Heather McDonald, Directed by Tim Vasen
- Gum by Karen Hartman, Directed by Tim Vasen—WORLD PREMIERE
- Mrs. Warren's Profession by George Bernard Shaw, Directed by Irene Lewis
- I Could Stop on a Dime and Get Ten Cents Change by Dianne McIntyre, Directed by Dianne McIntyre
1997-98: Irene Lewis, Artistic Director
- A Midsummer Night's Dream by William Shakespeare, Directed by Irene Lewis
- Splash Hatch on the E Going Down by Kia Corthron, Directed by Marion McClinton
- Les Blancs by Lorraine Hansberry, Directed by Marion McClinton
- H.M.S. Pinafore by Gilbert & Sullivan, Directed by Irene Lewis
- The Woman in Black by Stephen Mallatratt, From the book by Susan Hill, Directed by Tim Vasen
- How I Learned to Drive by Paula Vogel, Directed by Barry Edelstein
- Off Center: yousaywhatimeanbutwhatyoumeanisnotwhatisaid by Hot Mouth
- Off Center: The Vagina Monologues by Eve Ensler
- Off Center: Evolution of a Homeboy: Jails, Hospitals & Hip Hop by Danny Hoch
- Off Center: Quasar Looming by Ntozake Shange
- Off Center: A Huey P. Newton Story by Roger Guenveur Smith
- Off Center: Beauty's Daughter and Monster by Dael Orlandersmith
1996-97: Irene Lewis, Artistic Director
- Galileo by Bertolt Brecht, Directed by Irene Lewis
- Triumph of Love by James Magruder (book), Susan Birkenhead (lyrics), & Jeffrey Stock (music), Directed by Michael Mayer—WORLD PREMIERE
- Thunder Knocking on the Door by Keith Glover, Directed by Marion McClinton—WORLD PREMIERE
- Romeo and Juliet by William Shakespeare, Directed by Irene Lewis
- The Glass Menagerie by Tennessee Williams, Directed by Tim Vasen
- Seven Guitars by August Wilson, Directed by Marion McClinton
- Off Center: A Huey P. Newton Story by Roger Guenveur Smith, Directed by Roger Guenveur Smith
1995-96: Irene Lewis, Artistic Director
- Don Juan by Molière, Adapted by Christopher Hampton, Directed by Irene Lewis
- Day of Absence by Douglas Turner Ward, Directed by Marion McClinton
- Open Admissions by Shirley Lauro, Directed by Tim Vasen
- The Taming of the Shrew by William Shakespeare, Directed by Jackson Phippin
- The Lover by Elizabeth Egloff, Directed by Irene Lewis—WORLD PREMIERE
- Spunk by Zora Neale Hurston, Adapted by George C. Wolfe, Directed by Seret Scott
- Private Lives by Noël Coward, Directed by Irene Lewis
- Off Center: Wake Up & Smell the Coffee by Eric Bogosian, Directed by Joe Bonney
- Off Center: Live from the Great White Way by Dick Gregory, Directed by Dick Gregory
1994-95: Irene Lewis, Artistic Director
- The Cherry Orchard by Anton Chekhov, Directed by Irene Lewis
- Two Trains Running by August Wilson, Directed by Marion McClinton
- Slavs! (Thinking About the Longstanding Problems of Virtue and Happiness) by Tony Kushner, Directed by Lisa Peterson
- Happy End by Bertolt Brecht (book/lyrics) & Kurt Weill (music), Directed by Irene Lewis
- Feminine Singular: Citizen Reno by Reno, Directed by Tina Landau
- Feminine Singular: Big Butt Girls, Hard-Headed Women by Rhodessa Jones, Directed by Idris Ackamoor
- Feminine Singular: Hannah Senesh by David Schechter, Directed by David Schechter
- The Show-Off by George Kelly, Directed by Irene Lewis
- Off Center: Pounding Nails in the Floor with My Forehead by Eric Bogosian, Directed by Jo Bonney
- Off Center: Fires in the Mirror by Anna Deavere Smith, Directed by George C. Wolfe
1993-94: Irene Lewis, Artistic Director
- The Triumph of Love by Marivaux, Adapted by James Magruder, Directed by Irene Lewis
- Fences by August Wilson, Directed by Donald Douglass
- Das Barbecü by Jim Luigs (book/lyrics) & Scott Warrender (music), Directed by Christopher Ashley
- Othello by William Shakespeare, Directed by Irene Lewis
- The Loman Family Picnic by Donald Margulies, Directed by Michael Greif
- Ghosts by Henrik Ibsen, Directed by Irene Lewis
- Off Center: Caged with Wog by Mump Smoot, Directed by Karen Hines
- Off Center: Big Butt Girls, Hard-Headed Women by Rhodessa Jones, Directed by Idris Ackamoor
- Off Center: Gray's Anatomy by Spalding Gray, Directed by Renee Shafransky
1992-93: Irene Lewis, Artistic Director
- Servant of Two Masters by Carlo Goldoni, Directed by Irene Lewis
- T Bone N Weasel by Jon Klein, Directed by Jackson Phippin
- A Moon for the Misbegotten by Eugene O'Neill, Directed by Lisa Peterson
- Escape from Happiness by George F. Walker, Directed by Irene Lewis
- Lady Day at Emerson's Bar & Grill by Lanie Robertson, Directed by George Faison
- Arms and the Man by George Bernard Shaw, Directed by Irene Lewis
1991-92: Irene Lewis, Artistic Director
- The Queen and the Rebels by Ugo Betti, Directed by Irene Lewis
- My Children! My Africa! by Athol Fugard, Directed by Lisa Peterson
- A Doll House by Henrik Ibsen, Directed by Jackson Phippin
- Pericles, Prince of Tyre by William Shakespeare, Directed by Irene Lewis
- Police Boys by Marion McClinton, Directed by Marion McClinton—WORLD PREMIERE
- The Baltimore Waltz by Paula Vogel, Directed by Michael Greif
- The Misanthrope by Molière, Directed by Irene Lewis
1990-91: Stan Wojewodski, Jr., Artistic Director
- Ma Rainey's Black Bottom by August Wilson, Directed by L. Kenneth Richardson
- O Pioneers! by Darrah Cloud (book) & Kim D. Sherman (music), based on the novel by Willa Cather, Directed by Stan Wojewodski, Jr.
- Candida by George Bernard Shaw, Directed by Rick Davis
- The Heliotrope Bouquet by Scott Joplin and Louis Chauvin by Eric Overmyer, Directed by Stan Wojewodski, Jr.—WORLD PREMIERE
- Twelfth Night by William Shakespeare, Directed by Irene Lewis
- The Mystery of Irma Vep by Charles Ludlam, Directed by Stan Wojewodski, Jr.
1989-90: Stan Wojewodski, Jr., Artistic Director
- Man and Superman by George Bernard Shaw, Directed by Stan Wojewodski, Jr.
- Miss Evers' Boys by David Feldshuh, Directed by Irene Lewis—WORLD PREMIERE
- The Film Society by Jon Robin Baitz, Directed by Jackson Phippin
- An Enemy of the People by Henrik Ibsen, Directed by Stan Wojewodski, Jr.
- All's Well That Ends Well by William Shakespeare, Directed by Stan Wojewodski, Jr.
- The Making of Americans by Gertrude Stein, Directed by Lawrence Kornfeld
- Beckett: Short Works by Samuel Beckett, Directed by Jackson Phippin & Cheryl Faver
1988-89: Stan Wojewodski, Jr., Artistic Director
- The Importance of Being Earnest by Oscar Wilde, Directed by Stan Wojewodski, Jr.
- Fool for Love by Sam Shepard, Directed by William Foeller
- Joe Turner's Come and Gone by August Wilson, Directed by Irene Lewis
- The Tempest by William Shakespeare, Directed by Stan Wojewodski, Jr.
- There's One in Every Marriage by Georges Feydeau, Directed by Stan Wojewodski, Jr.
- The Broken Pitcher by Heinrich von Kleist, Directed by Michael Engler
- The Increased Difficulty of Concentration by Vaclav Havel, Directed by Stan Wojewodski, Jr.
1987-88: Stan Wojewodski, Jr., Artistic Director
- Hamlet by William Shakespeare, Directed by Stan Wojewodski, Jr.
- Aunt Dan and Lemon by Wallace Shawn, Directed by Irene Lewis
- The Colored Museum by George C. Wolfe, Directed by L. Kenneth Richardson
- Paradise Lost by Clifford Odets, Directed by Michael Engler
- The Lady from the Sea by Henrik Ibsen, Translated by Rolf Fjelde, Directed by Stan Wojewodski, Jr.
- In Perpetuity Throughout the Universe by Eric Overmyer, Directed by Stan Wojewodski, Jr.—WORLD PREMIERE
- Judgment Day by Odon von Horvath, Directed by Jackson Phippin
- A Temporary Place by Frederick Gaines, Directed by Irene Lewis—WORLD PREMIERE
1986-87: Stan Wojewodski, Jr., Artistic Director
- Present Laughter by Noël Coward, Directed by Norman René
- A Map of the World by David Hare, Directed by Stan Wojewodski, Jr.
- Roza by Julian More (book/lyrics) & Gilbert Becaud (music), Directed by Harold Prince—WORLD PREMIERE
- Uncle Vanya by Anton Chekhov, Translated by Ronald Hingley, Additional translation and adaptation by Rick Davis and Irene Lewis, Directed by Irene Lewis
- The Marriage of Bette and Boo by Christopher Durang, Directed by Richard Hamburger
- Major Barbara by George Bernard Shaw, Directed by Stan Wojewodski, Jr.
1985-86: Stan Wojewodski, Jr., Artistic Director
- She Loves Me by Jerry Bock (music), Sheldon Harnick (lyrics), & Joe Masteroff (book), Based on a play by Miklos Laszlo, Directed by Stan Wojewodski, Jr.
- Boesman and Lena by Athol Fugard, Directed by Zakes Mokae
- Bedroom Farce by Alan Ayckbourn, Directed by Stan Wojewodski, Jr.
- The Normal Heart by Larry Kramer, Directed by Michael Engler
- The School for Wives by Molière, Directed by Irene Lewis
- Buried Child by Sam Shepard, Directed by Michael Engler
- In a Pig's Valise by Eric Overmyer, Directed by Mark Harrison—WORLD PREMIERE
- Deadfall by Grace McKeaney, Directed by Stan Wojewodski, Jr.—WORLD PREMIERE
- Reunion by Sybille Pearson, Directed by Irene Lewis—WORLD PREMIERE
1984-85: Stan Wojewodski, Jr., Artistic Director
- Danton's Death by Georg Büchner, Directed by Stan Wojewodski, Jr.
- Henry IV, Part 1 by William Shakespeare, Directed by Stan Wojewodski, Jr.
- Execution of Justice by Emily Mann, Directed by Stan Wojewodski, Jr.
- On the Verge or the Geography of Yearning by Eric Overmyer, Directed by Jackson Phippin—WORLD PREMIERE
- Native Speech by Eric Overmyer, Directed by Paul Berman—WORLD PREMIERE
- Hedda Gabler by Henrik Ibsen, Adapted by Kenneth Cavander, Directed by Irene Lewis
- Who They Are and How It Is With Them by Grace McKeaney, Directed by Jackson Phippin—WORLD PREMIERE
- A Flea in Her Ear by Georges Feydeau, Adapted by Roy Brocksmith, Directed by Roy Brocksmith
- Painting Churches by Tina Howe, Directed by Stan Wojewodski, Jr.
1983-84: Stan Wojewodski, Jr., Artistic Director
- Crossing the Bar by Michael Zettler, Directed by Stephen Zuckerman
- Our Town by Thornton Wilder, Directed by Jackson Phippin
- The Sleep of Reason by Antonio Buero-Vallejo, Translated by Marion Peter Holt, Directed by Travis Preston—U.S. PREMIERE
- You Never Can Tell by George Bernard Shaw, Directed by Stan Wojewodski, Jr.
- Another Part of the Forest by Lillian Hellman, Directed by Irene Lewis
- Ohio Tip-Off by James Yoshimura, Directed by John Pasquin—WORLD PREMIERE
1982-83: Stan Wojewodski, Jr., Artistic Director
- Last Looks by Grace McKeaney, Directed by Jackson Phippin—WORLD PREMIERE
- The Miser by Molière, Directed by Stan Wojewodski, Jr.
- Division Street by Steve Tesich, Directed by Stan Wojewodski, Jr.
- Wings by Arthur Kopit, Directed by Stan Wojewodski, Jr.
- The Woman by Edward Bond, Directed by Jackson Phippin
- Love's Labor's Lost by William Shakespeare, Directed by Stan Wojewodski, Jr.
1981-82: Stan Wojewodski, Jr., Artistic Director
- A Lesson from Aloes by Athol Fugard, Directed by Jackson Phippin
- Much Ado About Nothing by William Shakespeare, Directed by Stan Wojewodski, Jr.
- The Amen Corner by James Baldwin, Directed by Walter Dallas
- The Workroom (L'Atelier) by Jean-Claude Grumberg, Directed by Stan Wojewodski, Jr.
- Terra Nova by Ted Tally, Directed by Stan Wojewodski, Jr.
- Savages by Christopher Hampton, Directed by Jackson Phippin
1980-81: Stan Wojewodski, Jr., Artistic Director
- The Front Page by Ben Hecht & Charles MacArthur, Directed by Stan Wojewodski, Jr.
- Agnes of God by John Pielmeier, Directed by Stan Wojewodski, Jr.
- The Duenna by Richard Brinsley Sheridan, Adapted & Composed by Lance Mulcahy, Directed by Garland Wright—WORLD PREMIERE
- A Man for All Seasons by Robert Bolt, Directed by Geoffrey Sherman
- Sally's Gone, She Left Her Name by Russell Davis, Directed by Stan Wojewodski, Jr.—WORLD PREMIERE
- Inherit the Wind by Jerome Lawrence & Robert E. Lee, Directed by Jackson Phippin
1979-80: Stan Wojewodski, Jr., Artistic Director
- Mother Courage and Her Children by Bertolt Brecht, Directed by Stan Wojewodski, Jr.
- Pvt. Wars and Lone Star by James McLure, Directed by Stan Wojewodski, Jr.
- A Christmas Carol: Scrooge & Marley by Charles Dickens, Adapted by Israel Horovitz, Directed by Jackson Phippin
- Watch on the Rhine by Lillian Hellman, Directed by Irene Lewis
- A Day in the Death of Joe Egg by Peter Nichols, Directed by Jackson Phippin
- Crimes of the Heart by Beth Henley, Directed by J Ranelli
- Cyrano de Bergerac by Edmond de Rostand, Adapted by Anthony Burgess, Directed by Stan Wojewodski, Jr.
1978-79: Stan Wojewodski, Jr., Artistic Director
- The Shadow Box by Michael Cristofer, Directed by Stan Wojewodski, Jr.
- Born Yesterday by Garson Kanin, Directed by Steven Robman
- A Christmas Carol: Scrooge & Marley by Charles Dickens, Adapted by Israel Horovitz, Directed by Robert Allan Ackerman—WORLD PREMIERE
- G. R. Point by David Berry, Directed by William Devane
- You Can't Take It With You by George S. Kaufman & Moss Hart, Directed by Stan Wojewodski, Jr.
- Measure for Measure by William Shakespeare, Directed by Stan Wojewodski, Jr.
- Bonjour la Bonjour by Michel Tremblay, Directed by Stan Wojewodski, Jr.
1977-78: Stan Wojewodski, Jr., Artistic Director
- The Good-bye People by Herb Gardner, Directed by Robert Allan Ackerman
- The Rivals by Richard Brinsley Sheridan, Directed by Stan Wojewodski, Jr.
- The Runner Stumbles by Milan Stitt, Directed by Stan Wojewodski, Jr.
- The Night of the Iguana by Tennessee Williams, Directed by Edward Berkeley
- Ashes by David Rudkin, Directed by Stan Wojewodski, Jr.
- Blithe Spirit by Noël Coward, Directed by Marcia Rodd
1976-77: Stan Wojewodski, Jr., Artistic Director
- She Stoops to Conquer by Oliver Goldsmith, Directed by Stan Wojewodski, Jr.
- When You Comin' Back Red Ryder? by Mark Medoff, Directed by Stan Wojewodski, Jr.
- Misalliance by George Bernard Shaw, Directed by Arne Zaslove
- Toys in the Attic by Lillian Hellman, Directed by Stan Wojewodski, Jr.
- The First Breeze of Summer by Leslie Lee, Directed by Woodie King, Jr.
- Knock, Knock by Jules Feiffer, Directed by John Henry Davis
- A Sorrow Beyond Dreams by Peter Handke, Directed by Daniel Freudenberger
1975-76: Stan Wojewodski, Jr., Artistic Director
- Tartuffe by Molière, Directed by Jacques Cartier
- Busy Bee Good Food All Night Delicious Borders by Charles Eastman, Directed by Charles Eastman—WORLD PREMIERE
- Dream on Monkey Mountain by Derek Walcott, Directed by Albert Laveau
- Old Times by Harold Pinter, Directed by Stan Wojewodski, Jr.
- The Cherry Orchard by Anton Chekhov, Directed by Jacques Cartier
- The Real Inspector Hound by Tom Stoppard and Black Comedy by Peter Shaffer, Directed by Stan Wojewodski, Jr.
1974-75: Jacques Cartier, Artistic Director
- Touring productions only.
1973-74: Jacques Cartier, Artistic Director
- The Hot l Baltimore by Lanford Wilson, Directed by John Stix
- Uncle Vanya by Anton Chekhov, Directed by Jacques Cartier
- Who's Afraid of Virginia Woolf? by Edward Albee, Directed by John Stix
- Hay Fever by Noël Coward, Directed by Jacques Cartier
- A View from the Bridge by Arthur Miller, Directed by Michael Murray
- Happy Birthday, Wanda June by Kurt Vonnegut, Jr., Directed by Carl Schurr
1972-73: John Stix, Artistic Director
- One Flew Over the Cuckoo's Nest by Dale Wasserman, Directed by John Stix
- Dandy Dick by Arthur Wing Pinero, Directed by John Stix
- Two Saints ("story theater") by Isaac Bashevis Singer/Gustave Flaubert, Directed by Larry Arrick
- Julius Caesar by William Shakespeare, Directed by Mitchell Nestor
- The Petrified Forest by Robert E. Sherwood, Directed by John Stix
- The Me Nobody Knows by Livingston & Schapiro, Directed by Robert H. Livingston
1971-72: John Stix, Artistic Director
- The Trial of the Catonsville Nine by Daniel Berrigan, S.J., Directed by John Stix
- The Seagull by Anton Chekhov, Directed by Robert Lewis
- The Beaux' Strategem by George Farquhar, Directed by John Lithgow
- Andorra by Max Frisch, Directed by John Stix
- Staircase by Charles Dyer, Directed by Alfred Ryder
- Death of a Salesman by Arthur Miller, Directed by Lee D. Sankowich
1970-71: John Stix, Artistic Director
- A Cry of Players by William Gibson, Directed by John Stix
- Marat/Sade by Peter Weiss, Directed by Peter W. Culman
- Twelfth Night by William Shakespeare, Directed by Sheldon Patinkin
- The Lover and The Collection by Harold Pinter, Directed by Robert Lewis
- Ceremonies in Dark Old Men by Lonnie Elder III, Directed by Richard Ward
- Fire in the Mindhouse by Arnold Borget (book/lyrics) and Lance Mulcahy (music), Directed by John Stix—WORLD PREMIERE
1969-70: Peter Culman, Executive Director
- Slow Dance on the Killing Ground by William Hanley, Directed by John Stix
- The Knack by Ann Jellicoe, Directed by Dennis Rosa
- Long Day's Journey into Night by Eugene O'Neill, Directed by Ben Piazza
- The Tempest by William Shakespeare, Directed by Dennis Rosa
- Park by Paul Cherry (book/lyrics) & Lance Mulcahy (music), Directed by John Stix—WORLD PREMIERE
- The Indian Wants the Bronx by Israel Horovitz, Directed by Lee Theodore
- The Gnadiges Fraulein by Tennessee Williams, Directed by Lee Theodore
- Who's Got His Own by Ron Milner, Directed by Nathan George
- The Glass Menagerie by Tennessee Williams, Directed by Peter W. Culman
1968-69: Peter Culman, Executive Director
- Boy Meets Girl by Bella & Samuel Spewack, Directed by Ruth White
- The Journey of the Fifth Horse by Ronald Ribman, Directed by John Stix
- The Homecoming by Harold Pinter, Directed by Kent Paul
- The Merchant of Venice by William Shakespeare, Directed by John Olon-Scrymgeour
- Bonus March by Willace Hamilton, Directed by Dennis Rosa
- The Skin of Our Teeth by Thornton Wilder, Directed by John Olon-Scrymgeour
- A Doll's House by Henrik Ibsen, Directed by John Stix
1967-68: Douglas Seale, Artistic Director
- Waiting for Godot by Samuel Beckett, Directed by Ronald L. Hufham
- The Member of the Wedding by Carson McCullers, Directed by John Olon-Scrymgeour
- Hamlet by William Shakespeare, Directed by Douglas Seale
- The Devil's Disciple by George Bernard Shaw, Directed by Douglas Seale
- An Enemy of the People by Henrik Ibsen, Adapted by Arthur Miller, Directed by Leonard Cimino
- The Royal Family by George S. Kaufman & Edna Ferber, Directed by Douglas Seale
- Et Cetera '68 (a musical revue) by various authors, Directed by John Olon-Scrymgeour
1966-67: Douglas Seale, Artistic Director
- The Miser by Molière, Directed by Rod Alexander
- The Death of Bessie Smith by Edward Albee, Directed by Richard Gillespie
- Benito Cereno by Robert Lowell, Directed by Patrick Tovatt
- Lady Audley's Secret by Douglas Seale, Directed by Douglas Seale—WORLD PREMIERE
- The Balcony by Jean Genet, Directed by Brooks Jones
- Titus Andronicus by William Shakespeare, Directed by Douglas Seale
- Noah by Andre Obey, Directed by Douglas Seale
- A Penny for a Song by John Whiting, Directed by Douglas Seale
1965-66: Douglas Seale, Artistic Director
- Caesar and Cleopatra by George Bernard Shaw, Directed by Douglas Seale
- The Tavern by George M. Cohan, Directed by John Marley
- Ardele by Jean Anouilh, Directed by Douglas Seale
- The Birthday Party by Harold Pinter, Directed by Brooks Jones
- The Days Between by Robert Anderson, Directed by Douglas Seale
- The Chinese Wall by Max Frisch, Directed by Douglas Seale
- As You Like It by William Shakespeare, Directed by Douglas Seale
1964-65: Ed Golden, Artistic Director
- The Hostage by Brendan Behan, Directed by Mesrop Kesdekian
- The Country Wife by William Wycherley, Directed by Edward Golden
- Galileo by Bertolt Brecht, Directed by John Marley
- The Doctor's Dilemma by George Bernard Shaw, Directed by John Olon-Scrymgeour
- A Touch of the Poet by Eugene O'Neill, Directed by Edward Golden
- The Physicists by Friedrich Durrenmatt, Directed by Edward Golden
- Six Characters in Search of an Author by Luigi Pirandello, Directed by John Olon-Scrymgeour
- The Lady's Not for Burning by Christopher Fry, Directed by Edward Golden
1963-64: Ed Golden, Artistic Director
- Light Up the Sky by Moss Hart, Directed by Edward Golden
- Summer of the Seventeenth Doll by Ray Lawler, Directed by Edward Golden
- The Importance of Being Earnest by Oscar Wilde
- Silent Night, Lonely Night by Robert Anderson, Directed by Edward Golden
- Portrait of a Madonna by Tennessee Williams, Directed by Edward Golden
- The Respectful Prostitute by Jean-Paul Sartre, Directed by Edward Golden
- The Room and Five Sketches by Harold Pinter
- A Shot in the Dark by Marcel Achard & Harry Kurnitz
- U.S.A. by John Dos Passos & Paul Shyre, Directed by Edward Golden
- Anna Christie by Eugene O'Neill, Directed by Edward Golden
- Bedtime Story and The Shadow of a Gunman by Sean O'Casey, Directed by Kenneth Costigan
- Twelfth Night by William Shakespeare, Directed by Bernard Hiatt
1962-63: Ed Golden, Artistic Director
- La Ronde by Arthur Schnitzler, Directed by Edward Golden
- You Touched Me! by Tennessee Williams & Donald Windham, Directed by Edward Golden
- The Maids by Jean Genet, Directed by Edward Golden
- The Zoo Story by Edward Albee, Directed by Edward Golden
- Arms and the Man by George Bernard Shaw, Directed by Edward Golden
- Beyond the Horizon by Eugene O'Neill
- Amphitryon 38 by Jean Giraudoux, Directed by Edward Golden
- The Mousetrap by Agatha Christie
- The Chairs and The Lesson by Eugene Ionesco, Directed by Edward Golden
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